The World Of Underwater Photography

Underwater photography can be very fun and interesting. It is not everyday that people get to go under water and take pictures of the wildlife that exists there. There are many different types of wildlife underwater including the living and moving ones such as fish and sharks, and the non-moving ones such as coral. Underwater photography has become a huge sport because of the different kinds of things that one finds to photograph underwater.

Many digital cameras today are underwater cameras. More and more pictures are popping up all over the internet from underwater sources. This is because of the availability of taking cameras underwater and taking pictures of everything there.

The only problem with these photos is that the people think that they can take a camera, go underwater and start taking pictures. The key is knowing how and where to take pictures. Many underwater photos come out horrible and it is impossible to see anything because the picture quality was poor. The sunlight works differently underwater and many times photos are just a white blur because taken directly into a sunray.

Pictures underwater can turn out beautiful if you take it the right way. There is a lot of different gear that goes along with underwater photography. Many different forms of cameras, camera holders, and lights need to be purchased to make some perfect underwater pictures.

Taking pictures in the ocean is probably the first step to taking great pictures underwater. Many times, lakes and ponds can be much too murky with mud and dirt and makes it unable to see anything. In the ocean, some parts are so clear you can see up to five feet down, so the underwater picture comes out perfectly because there is no pollution to disturb the image.
Some different designed cameras work better underwater than others when diving. These pictures come out amazing, because they are usually several hundred feet underwater where not a lot of pictures come from in the first place. Some of the photos come out with strange things that one has never seen before.

Other then the life forms that live in water, it is also fun to take pictures of people underwater. Underwater expressions can be quite funny if the right moment is captured. Many people take pictures of their children and each other under water while they are vacation. In Florida, many people take pictures of themselves with the manatees while they are swimming by. Taking real life underwater pictures is a great keepsake for the entire family and great to share with family and friends as well as area photographers who have never had the chance to experience such good fortune.

Water is unpredictable and that is what makes underwater photography so great. The underwater effect that makes everything unpredictable makes pictures that were not expected. This makes the pictures all the better because it is extremely hard to set up a pose for an underwater photograph. Underwater photography will continue to change as the cameras in today’s world continue to become more advanced. Photos can already be taken underwater while the person is still on a boat, making it much safer than before. We will continue to see more and more of these underwater adventures with amazing pictures coming from deep below the ocean surface in the coming years and see extraordinary photos from strange creatures that no one has ever identified

Underwater photography will continue to become a thing that everybody wants to do more especially when you go on vacations and out of town to the ocean. It is a fun sport that anybody can participate in without much experience but a fun sport if the people know what they are doing with their equipment. When you decide to show your photography skills to everyone, they will see what they are missing and might decide to take up the hobby of underwater photography themselves.

PPPPP

Word Count 653

The Use Of Lenses In Photography

Just having a camera is not going to get you the best pictures.  Most of us who take photos are amateurs in the art world, but with the right equipment our photography can be elevated to a new height.  Lenses are important especially when you settle on a medium you will train in.  Most photographers choose one area of photography to specialize in.  There are many types of lenses, the standard 35- 80mm, telephoto, and panoramic lenses.

Most cameras have a 35- 80 mm lens, even the point and shoot type.  Often when you purchase a camera casing they will sell you the standard lens with it.  All lenses are interchangeable.  You do have to stick with the same brand of lenses as your camera and make sure the diameter is the same.  The diameter of most lenses is the same as long as you keep to the same brand.  The 35- 80 mm lens tells you the extent of reach.  While you can take photographs several miles away with a standard lens you will not have the distinction of features in the print that you need.  The standard lens is great for close up shots, such as flowers, spider webs, people, and pets.  To gain more defined picture miles away you need a larger lens.

There are many telephoto lenses in photography.  One is the 75- 300 mm lens.  While this is not as massive as other telephoto lenses you may see a professional walking around with it is a great step up for mountain and wildlife photography when your quarry is some distance away.  When you begin to move from the 35mm into something larger it is best to have a stabilizer with the lens.  A stabilizer will help you hold the camera steady for clear shots even if your hand moves a little bit.  When you move into the world of the telephoto lens you can by accessories to help with angles and light.

Photography in the world of panorama is another way to take spectacular landscape photos.  The panoramic lens allows you to widen the photograph, especially with a digital camera.  If there is a mountain range or glacier that you wish to get the whole picture without pasting them together in Photoshop the panoramic lens is the best way to go.  I’m sure you have seen landscapes with a panoramic view and wished you could have that option.  Even with film cameras you could have a panoramic lens to widen the photograph.

All three lenses are just the icebergs on the use of lenses in photography.  Whether you are an amateur photographer or a budding professional you will want to maximize your photo taking skills.  The next equipment you may want to purchase to help you with the larger lenses would be a tripod to stabilize the camera even more.  Tripods are pretty simple and lightweight pieces of equipment and work great for portrait photography.  All mediums in photography require moderate to top of the line camera equipment to produce a photograph with quality.  Photography also relies on the photographer’s skill and eye.  Lenses are just a small part of the photography world when you start to study the art.  If you have any questions on lenses the best places to find answers are your local photography shop.

PPPPP

The Use Of Filters In Photography

Filters have two different meanings depending on how long you have had photography as a hobby.  Most of us today think as filters as an option with Photoshop.  This is not the case.  Before the invention of computers and things like Photoshop we had small glass discs to create the filtered affect.  There are many options with filters you can blur a picture, sharpen the picture, and even block out the UV rays.  Filters are often used to correct a problem or make a picture look a little different.

Lets talk about filters that blur a photograph.  When you are taking a picture of a waterfall at the bottom where the water rises in a cloud you can add a filter to create the cloud in the picture.  Cameras don’t always see what the eye sees.  In some cases it can have a high resolution to depict the actual water drops rather than the cloud, so adding a filter to your lens can help create the effect your eye sees.

Other filters such as the UV protector guard against the harsh rays.  Along with the UV filter you should have a polarizer.  The polarizer is used in photography when you are taking a shot into direct sunlight or other light.  It will help balance out the photograph so that you don’t get the washed out look.  Other filters can give you the washed out effect if you feel your photography would speak more.  The filters in Photoshop are not as wide as the filters you can actually buy for your camera, but they can have some of the same effects that you are after.

Have you ever wanted to create a star effect when taking pictures of light filtering through the trees?  You can create a star effect with any photograph by using a star effect filter.  This filter allows light to pass through a series of thin lines etched into the filter letting the light streak outward in a star shape.

Some filters actually help you create a depth of field or focal point.  The fog/ mist filter is one of these.  The fog/ mist filter allows for a glow or flare of light in the photograph.  Photography is filled with much skill and equipment.  Having filters to help create the perfect professional photograph will enhance your fun with your hobby.  Lets look at a few more filters.

There are color correcting lenses.  If the sky is too blue for the photograph you can choose a filter that will tamp down the blue to a less bright state.  If you are into underwater photography you might have filters that allow for the underwater colors.  The color spectrum does not have a great range under water.  A lot of things will look red even though they are not.  It is easy to bring about the original color of underwater life when you use special filters for color correction.

The use of filters in photography not only allows you to have special effects in a photograph to create something new and different, but it can help enhance the shot by adding color or dampening the natural effects of light.  Photography has many types of equipment that require skill and knowledge making it a wonderful hobby or profession. If you need a hobby, photography allows you to be creative.

PPPPP

Word Count 557

The Underwater World Captured With Photography

Underwater photography is growing every year, those who go diving wish to bring the diving world visible to those who do not dive. We have always been fascinated with the oceans and bays of the world as an unknown world. Bringing vacation pictures home to your friends or selling them as professionals has been a time honored tradition and now we can bring the underwater world home through the use of digital photography.

There are many types of underwater cameras. You have the highly expensive professional cameras and the one time slightly effective versions. Knowing which camera will work for you is very important. Part of finding the right camera may lie with in the housing you wish to purchase. Underwater photography requires you to protect your camera from the harmful affects of water so you will have to purchase housing with seals to eliminate the water. The housing you find may fit the camera you have. In fact, most companies will sell the housing for the cameras you have. If you find you, need a better camera for the underwater world you will need to look at packages. These packages will include the housing.

Let us look at the 35mm cameras. Most of these cameras are just point and shoot. If they were meant for underwater chances are they have at least a mild filter to correct for the lack of color underwater. These cameras will not filter out the particles you find floating along in the water on a poor visible day. Usually they are limited to less than 100 feet. I would not use this type for anything below 80 feet. You would not want to loose pictures because the housing failed under pressure. While this is not common, it is a concern for most photographers.

The more professional cameras are larger with a huge lens to let light in as well as have filters to help bring clarity to any photograph. Typically, these cameras require you to have a deep-set hobby in underwater photography, as the expense is high. Digital cameras are the best way to take underwater photographs because you can make sure you have the desired affects before leaving the seen. Of course, most underwater life will not hang around for a second shot, but coral reefs and the animals that inhabit them may remain.

Most underwater cameras will also have a flash. It is best to take an underwater photography course before delving to far in your hobby. Sometimes the flash will help you with the photographs, but other times it will wash the subject out and ruin the print. You can also use underwater cameras when you are snorkeling. Some flashes are built in to the camera while others are external. The external flashes can be a stick with a little light bulb on top.

When storing your underwater camera and flash you usually want to store them without the batteries as the batteries can die quickly. This is mostly for the cameras that use double AA batteries. Underwater photography is a great world to take home with you especially if you are on a dive vacation. Underwater photography requires a few more skills than regular photography due to the lighting conditions, but once you understand them you will be bring home great pictures every time.

PPPPP

Word Count 554

The Use Of Filters In Photography

Filters have two different meanings depending on how long you have had photography as a hobby. Most of us today think as filters as an option with Photoshop. This is not the case. Before the invention of computers and things like Photoshop we had small glass discs to create the filtered affect. There are many options with filters you can blur a picture, sharpen the picture, and even block out the UV rays. Filters are often used to correct a problem or make a picture look a little different.

Lets talk about filters that blur a photograph. When you are taking a picture of a waterfall at the bottom where the water rises in a cloud you can add a filter to create the cloud in the picture. Cameras don’t always see what the eye sees. In some cases it can have a high resolution to depict the actual water drops rather than the cloud, so adding a filter to your lens can help create the effect your eye sees.

Other filters such as the UV protector guard against the harsh rays. Along with the UV filter you should have a polarizer. The polarizer is used in photography when you are taking a shot into direct sunlight or other light. It will help balance out the photograph so that you don’t get the washed out look. Other filters can give you the washed out effect if you feel your photography would speak more. The filters in Photoshop are not as wide as the filters you can actually buy for your camera, but they can have some of the same effects that you are after.

Have you ever wanted to create a star effect when taking pictures of light filtering through the trees? You can create a star effect with any photograph by using a star effect filter. This filter allows light to pass through a series of thin lines etched into the filter letting the light streak outward in a star shape.

Some filters actually help you create a depth of field or focal point. The fog/ mist filter is one of these. The fog/ mist filter allows for a glow or flare of light in the photograph. Photography is filled with much skill and equipment. Having filters to help create the perfect professional photograph will enhance your fun with your hobby. Lets look at a few more filters.

There are color correcting lenses. If the sky is too blue for the photograph you can choose a filter that will tamp down the blue to a less bright state. If you are into underwater photography you might have filters that allow for the underwater colors. The color spectrum does not have a great range under water. A lot of things will look red even though they are not. It is easy to bring about the original color of underwater life when you use special filters for color correction.

The use of filters in photography not only allows you to have special effects in a photograph to create something new and different, but it can help enhance the shot by adding color or dampening the natural effects of light. Photography has many types of equipment that require skill and knowledge making it a wonderful hobby or profession. If you need a hobby, photography allows you to be creative.

PPPPP

Word Count 557

The Use Of Lenses In Photography

Just having a camera is not going to get you the best pictures. Most of us who take photos are amateurs in the art world, but with the right equipment our photography can be elevated to a new height. Lenses are important especially when you settle on a medium you will train in. Most photographers choose one area of photography to specialize in. There are many types of lenses, the standard 35- 80mm, telephoto, and panoramic lenses.

Most cameras have a 35- 80 mm lens, even the point and shoot type. Often when you purchase a camera casing they will sell you the standard lens with it. All lenses are interchangeable. You do have to stick with the same brand of lenses as your camera and make sure the diameter is the same. The diameter of most lenses is the same as long as you keep to the same brand. The 35- 80 mm lens tells you the extent of reach. While you can take photographs several miles away with a standard lens you will not have the distinction of features in the print that you need. The standard lens is great for close up shots, such as flowers, spider webs, people, and pets. To gain more defined picture miles away you need a larger lens.

There are many telephoto lenses in photography. One is the 75- 300 mm lens. While this is not as massive as other telephoto lenses you may see a professional walking around with it is a great step up for mountain and wildlife photography when your quarry is some distance away. When you begin to move from the 35mm into something larger it is best to have a stabilizer with the lens. A stabilizer will help you hold the camera steady for clear shots even if your hand moves a little bit. When you move into the world of the telephoto lens you can by accessories to help with angles and light.

Photography in the world of panorama is another way to take spectacular landscape photos. The panoramic lens allows you to widen the photograph, especially with a digital camera. If there is a mountain range or glacier that you wish to get the whole picture without pasting them together in Photoshop the panoramic lens is the best way to go. I’m sure you have seen landscapes with a panoramic view and wished you could have that option. Even with film cameras you could have a panoramic lens to widen the photograph.

All three lenses are just the icebergs on the use of lenses in photography. Whether you are an amateur photographer or a budding professional you will want to maximize your photo taking skills. The next equipment you may want to purchase to help you with the larger lenses would be a tripod to stabilize the camera even more. Tripods are pretty simple and lightweight pieces of equipment and work great for portrait photography. All mediums in photography require moderate to top of the line camera equipment to produce a photograph with quality. Photography also relies on the photographer’s skill and eye. Lenses are just a small part of the photography world when you start to study the art. If you have any questions on lenses the best places to find answers are your local photography shop.

PPPPP

Word Count 553

The World Of Underwater Photography

Underwater photography can be very fun and interesting. It is not everyday that people get to go under water and take pictures of the wildlife that exists there. There are many different types of wildlife underwater including the living and moving ones such as fish and sharks, and the non-moving ones such as coral. Underwater photography has become a huge sport because of the different kinds of things that one finds to photograph underwater.

Many digital cameras today are underwater cameras. More and more pictures are popping up all over the internet from underwater sources. This is because of the availability of taking cameras underwater and taking pictures of everything there.

The only problem with these photos is that the people think that they can take a camera, go underwater and start taking pictures. The key is knowing how and where to take pictures. Many underwater photos come out horrible and it is impossible to see anything because the picture quality was poor. The sunlight works differently underwater and many times photos are just a white blur because taken directly into a sunray.

Pictures underwater can turn out beautiful if you take it the right way. There is a lot of different gear that goes along with underwater photography. Many different forms of cameras, camera holders, and lights need to be purchased to make some perfect underwater pictures.

Taking pictures in the ocean is probably the first step to taking great pictures underwater. Many times, lakes and ponds can be much too murky with mud and dirt and makes it unable to see anything. In the ocean, some parts are so clear you can see up to five feet down, so the underwater picture comes out perfectly because there is no pollution to disturb the image.

Some different designed cameras work better underwater than others when diving. These pictures come out amazing, because they are usually several hundred feet underwater where not a lot of pictures come from in the first place. Some of the photos come out with strange things that one has never seen before.

Other then the life forms that live in water, it is also fun to take pictures of people underwater. Underwater expressions can be quite funny if the right moment is captured. Many people take pictures of their children and each other under water while they are vacation. In Florida, many people take pictures of themselves with the manatees while they are swimming by. Taking real life underwater pictures is a great keepsake for the entire family and great to share with family and friends as well as area photographers who have never had the chance to experience such good fortune.

Water is unpredictable and that is what makes underwater photography so great. The underwater effect that makes everything unpredictable makes pictures that were not expected. This makes the pictures all the better because it is extremely hard to set up a pose for an underwater photograph. Underwater photography will continue to change as the cameras in today’s world continue to become more advanced. Photos can already be taken underwater while the person is still on a boat, making it much safer than before. We will continue to see more and more of these underwater adventures with amazing pictures coming from deep below the ocean surface in the coming years and see extraordinary photos from strange creatures that no one has ever identified

Underwater photography will continue to become a thing that everybody wants to do more especially when you go on vacations and out of town to the ocean. It is a fun sport that anybody can participate in without much experience but a fun sport if the people know what they are doing with their equipment. When you decide to show your photography skills to everyone, they will see what they are missing and might decide to take up the hobby of underwater photography themselves.

PPPPP

Word Count 653

Tips For Photographing Your Cat

Every cat is proud of his or her friendly feline. Cats make perfect subjects in which to photograph. You can catch your cat and a variety of interesting and fun poses when you know how to take pictures of your cat. If you are interested in photographing your cat, here are some tips to help you get the best shots.

Catch your Cat Napping

Nothing looks quite as relaxing as a cat taking a nap. Cats do sleep a lot, so if you take a picture of your cat napping, you have plenty of opportunity. The best time to take a picture of your cat is to catch it when it is asleep. You can take close-ups of your cat either as it sleeps, or gently wake your cat up for a relaxed look. For a nice shot of your cat, try gently rubbing your cat’s belly right when you want to snap a picture. This will encourage your cat to roll over on its back.

Natural Sunlight

When you think of a sleeping cat, where do most cats enjoy sleeping? You can usually find a cat napping in the sun. If you have a window that gets full or filtered sunlight during the day, then try to open the curtains or blinds to encourage cap napping. As soon as you see your cat sit in the sun, try to take a few pictures. When the sunlight is good, try a few shots without using your flash. This will give your picture a nice natural glowing effect. In addition, natural light often works best anyway because if you use a bright flash, your cat will usually close his or her eyes or the eyes could end up looking red.

Forget Posing and Planning

Cats are much for posing. You cannot really ask that a cat stay and sit. When you take pictures of your cat, you should always have your camera on hand for candid shots. Look at your cat during the day and determine your cat’s schedule and favorite places. Work around your cat and you will get better pictures. Try to be spontaneous, and above all stay patient. It may take several tries to get a couple of great shots, but posing your cat rarely works.

I have tried to get my three cats to pose and let me take a picture, but even though they sleep together, play together, they cannot stand or in this sit next to each without someone starting something. If I had three people to help and set back out of the picture, it might work. As you can see, cat’s needs to do what cats do and take your pictures that way.

Get Help

Another good tip for taking pictures of your cat is to get help. You can get great pictures of playful cats and kittens by having someone help you wiggle a string, the throw a ball or call the cat’s name. It is very difficult to try to play with your cat and take pictures at the same time. Your pictures will turn out much better if you get someone to help you. In addition, if you are trying to get a picture of your cat looking directly at your camera, have someone stand above you can call the cat's name, or make a noise that will prompt the cat to look directly above your head.

If you are a patient and willing, you can get some excellent shots of your cat. Cats are so fun to take pictures of because you never know what they will do. Keep your camera handy and ready to go as soon as your cat springs into action. Cat’s normal activity seems to make us smile and laugh, their antics always may wonderful pictures. Pictures of kittens playing from birth on also make for some great pictures. If you have the camera, you will never miss the perfect picture.

PPPPP

Word Count 656

Videography Tips from the Pros

Making videos or “videography” is a different animal from photography. When you are trying to capture great pictures for a portrait or an event, you think in terms of still shots. In your mind the objective is “what will make a great picture.”

Video opens up whole scenes to be captured on film, for better and for worse. But it also opens up a lot of opportunity for mistakes, unexpected results or interruptions and surprises. Not only do you have to continue to think about what makes a great shot, you now have sound and movement issues to factor in. So while videography is much more fun, it also can be a lot more work.

You are trying to find a middle ground when you start offering video as part of your services. You know that anybody can bring a camcorder and capture video streams. These days they can even do it with their phone. But you want to create a more professional shot than the high school kid with a camcorder. Then again, you are not trying to win an academy award here. So the level of professionalism has to be better than amateur so you can justify charging for it but it doesn’t have to be great art to be a good video that the customer will be happy with.

To accomplish this mix of perfectionism and compromise, a few tips from the pros who have already set up a video business can help a lot. Here are what many of the old pros tell us to focus on especially as we are getting our video business up and running…

The cornerstone advice that the pros give about making great video is plan ahead. The more you know about your shoot, the better equipped you are when you show up. If you are shooting a wedding, visit the chapel, perhaps the reception hall and plan where you will set up to capture the best images. Plan your routes as you move around so you can create a smooth flow that works with the wedding procession rather than interrupts it.

The same is true of any event. Even a sporting event, as spontaneous as that is, will offer some less traveled areas where you can position yourself to catch the action. If the best location for capturing video is above or a distance from the activity, then you know you will need to use zoom and focus differently than if you can be in the middle of the action. This helps you plan how to prepare your equipment and your crew who will be supporting the shoot.

Lighting is something that must be part of your preplanning so you have sufficient light so the action and facial reactions are easy to pick out on the video. Outdoors, keep the sun behind you if at all possible. Indoors, scout out how the existing lighting will look on video during the hours that you will be shooting. If they are not sufficient, you should get in there and set your lights in place well in advance of the event and work with the event organizers so they know your lights will be on during the event. The people who hired you want a great video so they will work with you. But you have to let them know what is going on.

A good video is a combination of stability of the camera and constant movement. So use a tripod to stabilize the shots when the video is being actively shot. But you have to be able to move the set up quickly to a new location. So make sure that your equipment is well maintained and that cameras, tripods and that all supplies are quickly accessible for field changes or repairs.

One of the most valuable insider tips is to shoot with the intention of editing. In that way, you will shoot more footage than you need, knowing you are going to edit it together later. You can go back and capture connecting video shots to smooth out the action and you don’t have to get upset if you get some bad footage. These and many other talents you will develop will take you to that level of professionalism you want to reach. And your customers will notice it too and come back for more of your talented videography.

PPPPP 736

Video Like Scorsese

When your passion and perhaps your livelihood is the creation of quality videos for people’s events, you probably have some heroes. Martin Scorsese is somewhat of an icon because he is known for his stylistic videography in his movies. Now, you don’t necessary need as much style as a Scorsese gets in movies that win him academy awards. But such professionals who are both precise and very good at their work and creative in how they get their shots are an inspiration to the rest of us.

So how can you go about becoming your own version of “Scorsese” in reaching higher standards of professionalism in the video you do for your customers or friends? Well, sometimes you just have to go back to basics

When you go on a shoot, think of yourself like you are going on an assignment into a war zone. Of course, hopefully, nobody will be firing guns at you. But like a battle, you have to be totally prepared going in. There is no calling “cut” if you are filming your son’s first baseball game. You will get it or not on the first take so your equipment has to be ready and you have to be ready. So think through some of your pre-shoot preparations for the big day.

Inspect, clean, repair and test your equipment the night before. Make sure you have any support materials such as batteries, lights for your flash or if you use a lamp to accentuate indoor shots. And think through the various ways your equipment may have to support you and how you can support it?

What if something needs electricity but is too far from the outlet? Bring extension cords. What if you need more electricity then plugs are handy? Bring power strips. What if have extension cords where people will walk? Bring duct tape. What if you have to get that duct tape up fast? Bring a good knife or cutting blade. It pays to play these situations out in your mind and be prepared as you go to battle.

Framing a shot so it looks good in the final cut takes some talent and skill to get what you want where you need it to happen. If the scene is very active, like a sporting event, you need to be able to move, set, shoot and break down and do it again and again all day long.

That means your equipment has to be light and self contained but you need to be armed to swap things out on your feet. A well prepared supplies bag that you can get into, swap out a lens, a battery or other needs on the fly is essential to being that mobile. And you have to know your equipment so well that you can literally lock and load in seconds so important shots don’t leave you behind. Some practice with your camera, tripod, lights, supply bags and anything else you have to have for such mobility will pay off big time during the shoot.

You may have cringed when you saw the word tripod but get used to it. Don’t cut corners on this “accessory”. The tripod should be as flexible as your body so you can drop it for a ground shot and have it up and set quickly each time you need to reposition. But despite the “bother” this might cause, the tripod alone may make your shots 100% more professional.

Knowing your gear and being prepared are the two top commandments of producing high quality professional video. It may not make you a “Scorsese”, but it will take you a long way in that direction in the improvement you will see in your work.

PPPPP 625

Wedding Pictures with Style

Your wedding album will be one of the most precious memories of this big day that you will have. But have you ever noticed how so many of those “professional” pictures are all the same from wedding album to wedding album? In fact, one thing that jumps out about the wedding photographer is that for a little while on the wedding day, everything halts and it’s all about him.

You know the drill. The ceremony is exciting and fun and full of joy, some tears and plenty of meaning as the bride and groom kiss and become one family. Then it’s all over and everybody files out to go to the reception to dance, have cake and celebrate this union. But wait, the whole proceeding has to grind to a halt while the photographer stages the wedding party for as long as an hour or more to “recreate” the ceremony and make those perfect wedding photos. Meanwhile the reception may be getting underway and many of the guests that the bride or the groom or others in the family want to hug and share the joy with may have to go because they just can’t wait out a fussy photographer.

Somehow this complete disruption to the day has become accepted as just part of what the wedding day is all about. And the worst part about it is that the photographs, while nice and well staged, look like a bunch of mannequins being arranged for a store window. The joy and fun of the ceremony is over. For decades to come everybody will say they are beautiful and meaningful but if you look closely the wedding party looks nervous, uncomfortable, bored and like they wish they were somewhere else.

Well maybe its time to throw that tradition out and put some creativity into how the wedding photos and the wedding photographer works in your wedding. By finding a photographer who will put together some wedding pictures that have some style, some creativity and some sense of inventiveness, you will have that wedding album that really is full of memories worth remembering.

To get that kind of photographer, you are going to have to start early. You have to find that maverick photographer that “gets it” that the wedding is about the people, not the gowns and the hall and that his photographs must shout out “this was a wonderful day and we celebrated this union.”

You may have to look outside of the conventional “wedding photographers” listing in the phone book. An artistic photographer may be more appropriate. But be patient and find one that is just as professional as any photographer in that yellow pages but can bring some creativity and investment of getting to know this wedding party to the job of taking your important wedding pictures.

That wedding photographer should become as much a part of the wedding party as the groomsmen. After all, if he is going to capture the personality of this couple, he will have to get to know you. Spend some informal time with him and share those fun memories of when you met, those special times while you dated and certainly those very special places where important moments in your relationship took place.

Armed with that kind of creative individual in charge of your wedding photographs, you will look forward with great anticipation to what he comes up with. Many of the best shots will be created before the wedding, at some of those special places and he can Photoshop them to blend them with wedding day moments.

Above all that wedding photographer will understand that he is there to serve this wedding and capture those special moments as they occur. Sure, you may “pose” for a picture from time to time but this whole business of bringing the wedding day to a grinding halt to take stilted pictures of bored wedding party members will go out with the trash. The outcome will be wedding pictures with style, with life and a lot of love in them to reflect the love that was exchanged in those vows and the love of family and friends as they enjoyed this magical day with you.

PPPPP 706

What Do You Know About Stock Photography

Stock photography, groups of photographs that people take, grouped and licensed for selling purposes. Instead of taking new pictures every time they need pictures, many people use the stock photography method. People that work for magazines, as graphic artists, and advertising agencies sometimes use public pictures instead of hiring photographers for individual projects.

Alternate names for stock photography is picture libraries, photo archives or image banks. Typically, in order to use these pictures, although publicly available, there is a small fee or a purchasing of usage rights that comes with a fee in order to use the pictures. Sometimes a membership purchase allows you to have access to a particular group of stock photography.

Saving time and money, stock photography is a great way to enhance newsletters, blogs, advertisements, company brochures and more. It is obviously less expensive than putting a full time photographer on staff and takes less time if you need images of something specific. Many times, it is as easy as using a search engine or checking an email.

Sometimes full rights and usage is available for purchase. Other times, full rights are limited. In those cases, photographers might be requiring that they receive a certain percentage of sales and or royalties of usage. Agencies usually hold the images on files and negotiate fees. With the technology and easy access that the internet provides, negotiations are quicker and easier.

The cost of using stock photos depends on how long the pictures will be used, what location the images will be used, if the original photographer wants royalties and how many people the photo will be distributed to or seen by. Prices for stock photography can be anywhere from one dollar to two hundred dollars.

There are several different pricing arrangements. Royalty free stock photography allows the buyer to use photographs multiple times in multiple ways. When you buy royalty free pictures, there is only a one-time charge for unlimited usage. When the images you purchase have a royalty free section, the agency is able to resell the image to others. If an image is rights managed, there is a negotiated price for each time that it is used.

Sometimes a buyer of stock photography might desire to have exclusive rights to the images. In that case, no one else will be able to use the pictures once exclusive rights have been purchased. It may cost thousands of dollars to purchase exclusive rights because agencies who handle the sales have to make sure that they are making a profitable sale. If a photograph would make more money staying in circulation, they would lose out selling exclusive rights.

Stock photographers sometimes work with agencies producing images for them alone. Different subjects and categories might need multiple varieties of images. Sometimes contributors work for multiple agencies selling their photographs for a fee. They work out arrangements for royalties or they sell their shots for full rights. This has proved to be a big business for photographers around the world.

Stock photography started in the early 1920s. It especially grew as its own specialty by the 1980s. Galleries hold hundreds, thousands and even millions of pictures available for purchase. Stock houses sprung up in many different places. By 2000, online stock photography became microstock photography, which we call photo archives online. Companies like istock photo and bigstock photo offer you the opportunity to purchase so many pictures and when you use them up you can add more credits for another fee. Photos that are distributed online are typically less expensive than those that are sold hard copy.

Websites like www.shutterpoint.com and www.fotolibra.com allow stock photographers to upload and sell their images. It is a great way to market pictures and earn money with photography. You can also purchase images at those websites as well. With all the stock photography sites available, one may find pictures you never even heard of before.

PPPPP

Word Count 650

Where to Go to Learn From the Photography Masters

Whether you are looking for the right path for your budding student photographer in your family or looking on how to jump-start your own photography career, the right school can make all the difference. There is no question that photography is an outstanding career path with many different directions that someone skilled with a camera might go.

The diversity of careers in photography is truly amazing. From the base talent in photography and a solid understanding of new and emerging technologies, the sky is the limit for a talented photographer with a solid education under his or her belt. That is because photography is both an art form and a solid technical skill. So the same school might produce an award-winning artist, a successful wedding photographer, a fashion photographer, a police investigator taking pictures of crime scenes, or a crack newspaper photographer.

So the question emerges as to what kind of photography school to pick for yourself or the student in your family that wants the best education possible. How you pick any school is very much influenced by both how you approach education in general and what your objectives are.

Some would advocate that you look to get into the finest artistic photography schools in the country. If you wish to go down that path, then for sure the Brooks Institute of photography or one of the elite east coast schools of artistic photography is a noble ambition. But there are three drawbacks to trying to attend such schools. First is, of course, the potential cost. Any elite school is going to charge elite prices. And if you are like most of us, you want to get the most education for your money. So doing some caparison shopping for a school is in order.

The second drawback is getting admitted. Most of the top-flight schools have waiting lists and tough entry requirements that may make that ambition more demanding than is necessary. But the most meaningful drawback is that these schools may not be the right choice for the career you or the photography student in your life may wish to pursue. So a good general set of guidelines on how to evaluate a wide variety of photography schools is in order. The guidelines might include…

. What kind of photography is right for the student? A program geared toward artistic photography that will result in pieces hanging in a modern art museum will have a very different approach than a program to train forensic photographers. Your student may not know right away what field they want to go into. If so, getting started at a generic school such as a photography emphasis at the local junior college may be the right choice until the career path becomes clearer.

. Is it a legitimate school? You want to avoid schools that are run from the internet or that you read about on the back of a matchbook. A legitimate school will produce a recognized degree that will be well respected in the industry and will help the student get jobs.

. What is available locally? Why go out of town or out of state if you have good local schools? Many state universities, junior colleges and local tech schools have find programs.

. How diverse and up to date is the program? Will your student get exposed to the newest of technology in the field of photography? Will they get trained in how to service many different types of photography assignments?

. How does the program’s job placement rating look? What percentage of graduates from this program get jobs? How well respected is this school by businesses who employ photographers?

These are solid evaluation criteria. And if you apply these standards to a couple dozen of the finest schools both locally and nationally, before long a short list of good schools will emerge. From there, some site visits and interviews with teachers and graduates will narrow things down. And you will be glad you “did your homework” to find the kind of photography school that will take you or the student in your life to the next level of success in their love of photography.

PPPPP 707

Wildlife Photography, Catching The Animals By Surprise

Photography has been around for more than a century and our topics will never cease. There is portrait, landscape, wedding, and wildlife photography just to name a few. One of the most rewarding styles of photography centers on wildlife. It may take you several hours before finding the perfect picture and capturing it, but the reward is more than worth the wait.

Wildlife photography is perhaps the most difficult in the profession. You have to have the time, inclination, and of course the camera. Most wildlife shots are captured using a telephoto lens because the animal will not walk near you. Every once in a while you will be able to capture the fox, elk, bear or other animal as it comes through the woods in your path, however most of the time they are yards away and elusive.

Wildlife photography doesn’t wait for you to happen a long and snap a photo. You need to immerse yourself in the site you choose your camera at the ready, and set for the light of the day. Most automatic cameras work great on the preset for those who are just learning to take wildlife photographs. Photography has always been about the moment and the best photographers can catch the moment with a speed and agility of the animal they are capturing.

Start with small subjects when you begin your foray into wildlife photography. Practice on your pet. Let them roam naturally and see if you can capture the wild and crazy moments on film without the photograph ending up blurry. All great photographers have studied and practiced. They also use more than one shot. Making sure your camera has a quick shutter speed will help you take more than one shot as your move with the animal. When you have the subject in your site you need to follow it while focusing and then quickly snap as many pictures as you can before they move out of site. This technique is known as panning. Rather than the subject coming to you, you follow the subject.

When you have mastered your pets you can begin to explore the outdoor world of wildlife photography. Some of your subjects will be standing still and this is another practice technique. Be aware of the lighting and placement while trying not to disturb the animal. It is most easy to get a squirrel when they are intent on eating or foraging for food. If you stay silent and walk carefully you can often get pretty close.

If you are choosing a larger subject such as a deer or bear you will want to stay far enough away to get the shot, and not draw attention to yourself. Bears are dangerous creatures, but they can be photographed if you use common sense and don’t tread upon their territory. Wildlife photography and thus the photographers have a code of ethics when attaining the perfect shots. You will want to follow these ethics for your safety and the animals.

Wildlife photography is a waiting game for the perfect picture to sprint across your viewfinder. It takes patience and a lot of practice, but the reward of having a family member or friend go, “ where did you get that photograph? I have got to have one,” will sweeten the deal.

PPPPP

Word Count 550

Will Camera Phones Destroy Photography?

In any “photo op” moment any more, it is impossible to miss the invasion of the camera phone. Where it used to be easy to tell when a camera was around and if people had them handy, now anyone with a phone could be a clandestine photographer. Even at occasions that used to be ruled by the professional photographer such as weddings and the like, we now see those dozens of hands going up snapping photos with camera phones that seem to dominate the scene.

Conventional photography is a highly developed art form and profession. The precision of the equipment and the ability of photographers to deliver a high quality product to their customers is well known and the result of decades of evolution of the craft. But today it is possible for anyone to become an amateur photographer using that tiny cell phone in their pocket or purse.

The question needs serious consideration for three audiences. For the professional photographer, is this the end of your profession? Will digital phones wipe out your customer base and make you obsolete? For the aspiring photographer, what about your future? Should you even invest in learning to use the sophisticated equipment that makes professional photography so superior? Why bother if camera phones are going to make it all obsolete? And for you the consumer, can you get the same quality of photographs with using camera phones as you can by hiring a photographer?

These are valid questions. It is very common when a new technology begins to make inroads into a profession for the old guard of that profession to feel threatened. It happened when television came along and the media called it the death of radio. It happened when talkies and then color was introduced to movies and television and at each technological improvement in the music world. And with each dire prediction of the demise of an industry, the opposite took place and that industry adjusted, evolved, got better and prospered all the more.

So there are good reasons not to worry that camera phones is going to destroy photography as we know it including…

* Camera phones cannot achieve the same levels of quality. There is a good reason that the professional photographer has invested in the highly sophisticated equipment that he has in his studio and that he or she takes to a shoot. The many years and decades of research have surfaced the problems with quality that primitive equipment could not deal with. Modern photography equipment has precise instrumentation to handle lighting issues to properly frame each photograph and to produce a professional quality outcome that people want from a wedding, a portrait or any kind of professional photography. You can bet that forensic photography, fashion photography and photography for publication will ever be willing to accept the low standards of quality that are the outcome of camera phone pictures.

* It’s an amateur game. When you see kids holding up their camera phones at a concert to steal a picture, you know that device is not going to result in a professional quality shot. This is especially true in a live setting like a concert where there are myriads of issues such as lighting, visual noise and other problems that have to be overcome with sophisticated instrumentation just not available on a camera phone. Camera phones are an amateur photography device. And they will always occupy that niche.

* Standards of the final product would be compromised. And high standards of quality are what make professional photography a value to it’s customers.

This is not to cast camera phones in a negative light. They have their place and they are great fun. But we in the professional photography world have nothing to fear from the growth of this technology.

PPPPP 640